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Reference [Track Editing]
ZOOM MRS-1608
57
6.
To start pitch compensation, hold down the
REC [
O
] key and press the PLAY [
R
] key.
Recording starts with the pitch compensation applied. If
you have selected “BassSeq” in step 2, you can check the
bass track level on the level meter in the display.
By using the cursor left/right keys during recording, you
can call up and edit the parameter values set in steps 2 –
5. If you press the [BYPASS] key, the pitch compensation
effect is bypassed. (This will also be reflected in the
recording.)
HINT
The manual and automatic punch-in/punch-out functions
can also be used at this point.
7.
When recording has progressed to the
point where you want pitch compensation
to stop, press the STOP [P
] key.
The indication “PitchFix SURE?” appears on the display.
8.
To carry out pitch compensation, press the
[ENTER] key.
The audio data of the specified range are overwritten, and
the unit returns to the track edit menu.
By pressing the [EXIT] key instead of the [ENTER] key,
you can cancel the operation and back up one step at a
time.
Generating a 3-part harmony from
a specified range of audio data
You can use chord information programmed in the
rhythm pattern/rhythm song to shift the pitch of the audio
data and create a 3-part harmony (chord root/third/fifth).
Whether the rhythm pattern or rhythm song is used as
source of chord information depends on the mode
selected for the rhythm section (rhythm pattern mode or
rhythm section mode).
The pitch-shifted audio data can be either added to the
source material or written to another track/V-take.
For example, when G Major
→
C Major
→
D Major are
programmed in a rhythm song, the following harmony is
created.
HINT
• Depending on the pitch of the source material and the rhythm
pattern/rhythm song setting, the results of this command may
be unpredictable.
• When generating harmony using the rhythm song, chords
must be programmed for the rhythm song beforehand.
• When “-- (no conversion)” is programmed as chord type in the
rhythm song, no harmony can be created at this point.
• When generating harmony using chord information of the
rhythm pattern, the harmony is created for the same chord
throughout.
NOTE
For the harmony generate function to work properly, the
audio data should represent single notes recorded without
applying delay, reverb, chorus, or other effects.
Source track
Generate harmony
Source track Write target track
1608E.book 57 ページ ２００４年４月１９日 月曜日 午前１０時４４分
- Operation Manual 1
- USAGE AND SAFETY PRECAUTIONS 2
- Usage Precautions 3
- Introduction 7
- Recorder 10
- Rhythm section 10
- Introducing the MRS-1608 11
- Parts of the MRS-1608 12
- ZOOM MRS-1608 13
- Rear panel 14
- Front panel 14
- Connections 15
- Installing the CD-R/RW Drive 17
- Front Panel 18
- Power On/Off 19
- Listening to a Demo Song 20
- Let’s Record 21
- Quick Tour 22
- Lit in green 23
- Rhythm pattern number 23
- Rhythm pattern name 23
- When using the INPUT jack 25
- 2.3 Selecting a track and 26
- Step 3: Overdubbing 28
- Step 4: Mixing 29
- Track parameter list 30
- 4.3 Applying the send/return 31
- Step 5: Mixdown 33
- Reference [Recorder] 35
- Assigning V-take names 36
- Using scrub/preview 38
- Re-recording only a specified 39
- Using auto punch-in/out 40
- About the master track 41
- Master track mixdown steps 41
- Playing the master track 41
- RECTRACK 42
- REC TAKE 43
- Selecting drum/bass track as 44
- Recording 44
- About 8-track recording 45
- Setting a mark 46
- Locating a mark 47
- Deleting a mark 47
- The pre-count is turned off 48
- Reference [Track Editing] 49
- Copy source track 50
- Copy target track 50
- Move source track 51
- Move target track 51
- Trim Trim 52
- IN-1 IN-2 IN-3 53
- OUT-1 OUT-2 OUT-3 53
- Changing the duration of a 54
- PitchFix 55
- Source track 57
- Generate harmony 57
- KEY/SCALE = C Maj 59
- GTR 1- 1 61
- Erasing a V-take 62
- Copying a V-take 62
- Moving a V-take 63
- Exchanging V-takes 63
- Capturing a track 65
- “CAPTURE” appears 66
- Reference [Phrase Looping] 67
- Basic phrase loading steps 68
- Importing a phrase from the 69
- Adjusting phrase parameters 71
- You can use the PLAY [R 72
- Phrase A Phrase B 73
- Audio data 73
- Phrase C Phrase D 73
- Phrase 0 Phrase 1 Phrase 2 74
- (measure - beat) 76
- Reference [Mixer] 77
- • On condition 80
- •Off condition 80
- Saving a scene 84
- Recalling a scene 85
- Scene number 86
- Reference [Rhythm] 87
- Drum sequence 88
- Bass sequence 88
- Selecting a rhythm pattern 89
- Changing the tempo 89
- Changing the drum kit / bass 90
- Bass program number 91
- Pad bank number 91
- Preparations 93
- Drum sequence real-time input 94
- Bass sequence real-time input 95
- Drum sequence step input 96
- Quantize value 97
- Measure Beat Tick 97
- Bass sequence step input 98
- Quantize value Duration value 99
- Chord root 100
- Assigning a name to a rhythm 101
- Copying a rhythm pattern 102
- Deleting a rhythm pattern 103
- Selecting a rhythm song 103
- (measure number) 104
- (measure 105
- (0+1)x4+ 107
- Entering chord information 108
- Entering other information 109
- Copying a specified range of 111
- Copying a rhythm song 112
- Deleting the rhythm song 113
- Drum kit name 114
- Kit number 114
- GROUP=PL GROUP=MN 115
- Copying a drum kit 116
- Pad number 117
- Project name Project number 117
- SoundSel 118
- Changing the metronome volume 119
- Reference [Pad Sampler] 121
- Sample name 122
- Sample number 122
- Importing a WAV/AIFF file 124
- Copying a sample 126
- Deleting a sample 127
- Assigning samples to pads 129
- Copying a sampler program 131
- Deleting a sampler program 132
- Reference [Effects] 138
- Using the insert effect 139
- Current insert position 140
- Effect type 141
- Patch name Patch number 141
- Effect type name 144
- Setting value 144
- Patch number 145
- Insert effect 146
- Using the send/return effect 147
- Storing/swapping send/return 148
- When ALL was selected 149
- When PATCH was selected 149
- Reference [Creating a CD] 151
- Master track duration 152
- Creating an audio CD by album 153
- Using the marker function to 155
- Playlist number 156
- Number of tracks 158
- Playing time 158
- CDRW ERS 159
- READ DST 160
- _ (underscore) 161
- Disc number 163
- Project currently being saved 163
- Reference [Projects] 165
- Loading a project 166
- Creating a new project 166
- Checking the project size/ 167
- Duplicating a project 167
- Erasing a project 168
- Changing the project name 168
- Protecting a project 169
- Reference [MIDI] 170
- Making MIDI-related settings 171
- Turning Program Change 173
- Turning MIDI Time Code (MTC) 173
- Using the SMF player 174
- ChToDrum 175
- SMF playback 176
- Reference [Other Functions] 177
- Playlist playback 178
- Using the chromatic tuner 179
- Using other tuner types 180
- String numberTarget note for 181
- Tuner type 181
- (D PRTCT=ON) 182
- (D PRTCT=OFF) 182
- Basic maintenance procedure 184
- Returning system file data to 185
- Specifications 187
- Troubleshooting 188
- Problems with effects 189
- Problems with the rhythm 189
- Problems with MIDI 189
- Problems with CD-R/RW 190
- Other problems 190
- Appendix 191
- Type Parameter 194
- MIC algorithm 195
- DUAL MIC algorithm 196
- LINE algorithm 197
- Produces spatial width 200
- A resonance filter with LFO 200
- Send/return Effect 201
- Effect Patch 202
- 8x COMP EQ algorithm 206
- MASTERING algorithm 207
- Rhythm Pattern 209
- Drum Kits 211
- Bass Programs 211
- Instruments 212
- Category No. Name 212
- MIDI note number chart 214
- No. Name Comments 215
- MRS-1608 Hard Disk 217
- Contents 217
- Compatibility with MRS 217
- MIDI implementation 218
- MIDI implementation chart 219
- ZOOM CORPORATION 224
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