Zoom Pro 4040 Specifications Page 20

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This effect smoothes the picking attack, automatically
creating a volume swell, while adding a dynamic filter. The
filter opening characteristics depend on the input signal,
causing a gradual emphasis in the low (or high) range.
Explanation
(1)DEPTH: Determines the frequency change range of the
dynamic filter. The higher the value, the greater the
range.
(2)RATE: Determines the rise time rate. The higher the
value, the longer the attack sound.
(3)BAL (Balance): Determines the balance between the
slow attack sound and the dynamic filter sound. Smaller
values increase the attack character and larger values the
dynamic filter character.
(4)MODE: Determines the filter characteristics, causing a
change in sonic quality.
0: LPF (low-pass filter)
1: HPF (high-pass filter)
(5)EXP. MODE (Expression Mode): Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the attack time
is as set with the RATE parameter. When the pedal is up,
the attack time is minimum.
1: When the pedal is fully pushed down, the attack time
is maximum. When the pedal is up, the attack time is as
set with the RATE parameter.
This effect adds a component with periodically changing
pitch to the direct sound, which results in a spatially wide
impression. The effect can be used in mono or stereo. In
principle, this is similar to the flanger effect, but without the
PEAK parameter.
Explanation
(1)DEPTH: Determines the depth of the pitch change.
(2)RATE: Determines the speed of the rate change.
(3)BAL (Balance): Determines the balance between the
effect sound and the direct sound. The higher the value,
the stronger the effect sound.
(4)STEREO: A setting of 0 (zero) gives a monaural effect
and a setting of 1 a stereo effect.
(5)EXP. MODE (Expression Mode):Determines the
direction of the change caused by the EXP pedal.
0: When the pedal is fully pushed down, the balance is as
set with the BAL parameter. When the pedal is up, the
balance is minimum.
1: When the pedal is fully pushed down, the balance is
maximum. When the pedal is up, the balance is as set
with the BAL parameter.
MODULATION
CHO
Parameter 1 DEPTH 0 – 10
Parameter 2 RATE 1 – 50
Parameter 3 BAL 0 – 10
Parameter 4 STEREO 0 , 1
Parameter 5 EXP. MODE 0 , 1
8
CHO (Chorus)
MODULATION
SLOW
Parameter 1 DEPTH 0 – 10
Parameter 2 RATE 1 – 50
Parameter 3 BAL 0 – 10
Parameter 4 MODE 0 , 1
Parameter 5 EXP. MODE 0 , 1
7
SLOW (Slow Attack)
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