Zoom B1X Specifications download pdf (Page 16)

No. Patch name Description Main effect Pedal setting

DEMO

Rock Out

Versatile sound that fits almost any playing style. Modeled on the Fender Bassman 100 that is the realization of

every bassist's dream.

BASSMAN VOLUME

Groovy Ass Funk

Auto Wah lets you get into that seventies Disco groove. Play funky bass lines in the style of the dance band Chic.

Auto Wah

AUTO WAH

SENSE

Punk Trash

This patch gives you bass sound with just the right edge for punk. Sling your bass low and bolster your band's

sound with driving phrases as in "I Wanna Be Sedated" by The Ramones.

TS9 VOLUME

Tapper's Delight

Old-style overdrive sound with many uses. Sometimes even a conservative bass player will want to let loose with

some dramatically distorted solos. That's when this patch comes in handy.

ODB-3 VOLUME

Blow your speaker!!!

Mighty octaver sound that will make your speakers wail. You can control the octave mixing ratio with the pedal.

Octave OCTAVE MIX

ENSEMBLE

This patch produces a wide, transparent bass sound using the Ensemble effect. Try it with moody solos and

arpeggio phrases.

Ensemble ENSEMBLE MIX

Fretless Maximus

This simulation is great for playing a jazzy walking bass. Turn your instrument into a fretless bass at the flick of a

switch.

Defret VOLUME

Syn Fifths

Synth bass sound mainly based on MONO SYN, with Resonance Filter and Mono Pitch thrown in for good

measure. Choose it to play lead bass or to get that intense synthesizer sound.

MONO SYN

RESONANCE

FILTER SENSE

SLOW

Slow Attack sound which gives a bow playing effect. The pedal lets you freely adjust the rise time.

Slow Attack

SLOW ATTACK

TIME

Bass + Guitar

This Mono Pitch effect simulates unison playing of electric guitar and bass. Create great unison phrases even

without a guitarist.

Mono Pitch

MONO PITCH

MIX

MODEL

Big Bassman

Simulates the Fender Bassman 100 made famous by Paul McCartney. Use a Rickenbacker or violin bass and enjoy

that special Beatles sound.

BASSMAN VOLUME

SansAmp

Simulation of the Sansamp Bass Driver DI, highly popular among bass players. The tight and polished sound is

ideal for recording.

SANSAMP VOLUME

Buzz Drive

Simulates the Fuzz Face famous for its unique look. The aggressive fuzz sound will give your bass play that extra

bite.

FUZZFACE

PITCH BEND

PEDAL POSITION

HARTKE

Simulation of Hartke HA3500 head amp combined with aluminum-cone cabinet 4.5XL. Note the characteristically

transparent and responsive sound of aluminum.

HARTKE VOLUME

SVT Saturation

This patch is modeled on the all-tube Ampeg SVT, known as the ultimate rock bass amp. The gutsy sound of tube

saturation creates a solid bottom end.

AMPEG VOLUME

Dirty Job

Simulation of the MXR Bass D.I.+ distortion channel, great for playing dirty solos. By moving the pedal, you can

control the Delay mix.

MXR BASS DI DELAY MIX

TUBE

Simulates a high-class tube preamp such as used in recording studios. The fat and creamy sound suits every genre.

TUBE PRE VOLUME

Drivin' Over

Simulation of the Boss Overdrive ODB-3 for bass guitar. Combination with the Phaser effect results in a brisk and

pleasing drive sound.

ODB-3 PHASER RATE

True Grit

Simulates the combination of the Acoustic 360 head amp and 301 cabinet. Subdued high range and firm midrange

produce an appealing vintage style tone.

ACOUSTIC VOLUME

SWR

Simulates the SWR sound as produced by the SM-900 head amp together with the Goliath cabinet. Rich low end

and sharp highs are great for slap playing.

SWR VOLUME

ARTIST

Jaco

The bass sound of Jaco Pastorius with strong chorus. Place your finger on the rear pickup of a Jazz Bass and try out

those cool phrases from "Three Views Of A Secret."

Chorus ROOM MIX

Tribute

This patch is inspired by the legendary Motown bass player James Jamerson. Every fan of sixties Motown sound

will be thrilled.

AMPEG VOLUME

Chili Wah

Rock sound with Auto Wah as used by Flea of the Red Hot Chili Peppers. Try some flashy slap play and turn up the

volume.

Auto Wah

AUTO WAH

SENSE

Victor Wooten

Simulates the sound of that ultimate bass virtuoso, Victor Wooten, as heard on his first album "Show of hands."

Select this and explore the boundaries of the bass universe.

Room ROOM MIX

Billy Sheehan

The distorted bass sound used for solos by Mr.Big bassist Billy Sheehan is programmed into this patch. When not

using the patch for a solo, you can adjust the mixing balance between original sound and distortion with the pedal.

ODB-3 DRIVE BALANCE

Stanley Clarke

Sound in the style of Stanley Clarke who plays electric and acoustic bass with equal finesse. Brush up on your jazz

sense.

TUBE PRE VOLUME

Will Lee

Simulates the sound of one of New York's top session bass players, Will Lee. The fat tone has a strong fusion

character. Combination with Detune produces an expansive sound with moderate amounts of modulation.

Detune DETUNE MIX

Tony Levin

Famous for his work with King Crimson, Tony Levin played the kind of tricky inventive phrases that are the

hallmark of progressive rock. This patch produces just the right tone for this kind of play.

Defret VOLUME

Geezer

Simulates the sound of bassist Geezer Butler as heard on seminal Black Sabbath hits such as "Electric Funeral" and

"N.I.B."

Room DRIVE BALANCE

Mr. Bruce

Rediscover the sound created by Cream bassist Jack Bruce on "Badge" and "Sunshine of Your Love."

SUPER BASS VOLUME

VARIATION

Big Bottom Rez

Great patch for playing those pumping Reggae phrases. The tone is also suitable for groovy bass lines using the

Resonance Filter.

Auto Wah VOLUME

Attack from Mars!

Mysterious, space-like sound using the Step effect. Startle your audience with this effective patch to create a special

moment.

Step STEP RATE

HEAVY COMP

Clean sound with strong compression. Provides a sharply etched attack but keeps the volume even when playing

slap phrases.

Compressor VOLUME

Happy disaster

HPS (Harmonized Pitch Shifter) sound. G major scale harmonies bring the bass clearly to the foreground. The

pedal serves to adjust the HPS mix.

HPS HPS MIX

HornSolo

Unique sound imitating a muted trumpet. Great to grab the listener's attention. Controlling the volume with the

pedal further enhances the realism.

Resonance Filter VOLUME

Aguabass

Combination of Auto Wah and Delay. Adjust the Delay mix with the pedal and change the ambient feeling while

playing. This adds a twist to slap and finger playing.

Delay DELAY MIX

Vibe

Vibrato creates a beautiful tone that is well matched to phrases with long held notes.

Vibrato VOLUME

Phased

Synth bass sound defined by a slight Phaser component. Suitable for lead bass and obtaining intense synth sound

during a live performance.

MONO SYN PHASER RATE

Dark Octave

Octave sound that can be used for lead solo. Lets you create an earth-shaking bass sound that will hold its own even

against a down-tuned guitar.

Octave OCTAVE MIX

Dreamscape

Combination of Flanger and Delay results in a dreamy sound that tends to linger on. An excellent choice for

melodious solo phrases and intros.

Flanger DELAY MIX

• The preset area of banks 0 – 3 contains the same patches as A – d.

• The ZNR value may need to be adjusted depending on the bass guitar

and ampliﬁer.

Manufacturer names and product names mentioned in this patch list are trademarks or registered trademarks of their respective

owners and do not indicate any afﬁliation with ZOOM CORPORATION. All product and artist names are intended only to

illustrate sonic characteristics that were used as reference in the development of this product.

B1/B1X-PatchList-E-1

Patch List

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Zoom B1X Specifications Page 16

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